EAR ON ARM
Genre : Ingineering Internet Organ1.2.) Hybridization living / inert
I have always been intrigued about engineering a soft prosthesis using my own skin, as a permanent modification of the body architecture. The assumption being that if the body was altered it might mean adjusting its awareness. Engineering an alternate anatomical architecture, one that also performs telematically. Certainly what becomes important now is not merely the body’s identity, but its connectivity- not its mobility or location, but its interface. In these projects and performances, a prosthesis is not seen as a sign of lack but rather as a symptom of excess. As technology proliferates and microminiaturizes it becomes biocompatible in both scale and substance and is incorporated as a component of the body. These prosthetic attachments and implants are not simply replacements for a part of the body that has been traumatized or has been amputated. These are prosthetic objects that augment the body’s architecture, engineering extended operational systems of bodies and bits of bodies, spatially separated but electronically connected.
Having constructed a Third Hand (actuated by EMG signals) and a Virtual Arm (driven by sensor gloves), there was a desire to engineer an additional ear (that would be speak to the person who came close to it). The project over the last 12 years has unfolded in several ways. The EXTRA EAR was first imaged as an ear on the side of the head. THE 1/4 SCALE EAR involved growing small replicas of my ear using living cells. And recently, THE EAR ON ARM which began the surgical construction of a full-sized ear on my forearm, one that would transmit the sounds it hears.
The EAR ON ARM has required 2 surgeries thus far. An extra ear is presently being constructed on my forearm: A left ear on a left arm. An ear that not only hears but also transmits. A facial feature has been replicated, relocated and will now be rewired for alternate capabilities. Excess skin was created with an implanted skin expander in the forearm. By injecting saline solution into a subcutaneous port, the kidney shaped silicon implant stretched the skin, forming a pocket of excess skin that could be used in surgically constructing the ear. The body is a living system which isn’t easy to surgically sculpt. And recovery time is needed after the surgical procedures. There were several serious problems that occurred: a necrosis during the skin expansion process necessitated excising it and rotating the position of the ear around the arm. Ironically, this proved to be the original site that the 3D model and animation was visualized. Anyway, the inner forearm was anatomically a good site for the ear construction. The skin is thin and smooth there, and ergonomically locating it on the inner forearm minimizes the inadvertent knocking or scraping of the ear. A second surgery inserted a Medpor scaffold and the skin being suctioned over it. The Medpor implant is a porous, biocompatible polyethylene material, with pore sizes ranging from 100-250 micrometers. This can be shaped into several parts and sutured together to form the ear shape. Because it has a pore structure that is interconnected and omnidirectional it encourages fibrovascular ingrowth, becoming integrated with my arm at the inserted site, not allowing any shifting of the scaffold. We had originally considered mounting the ear scaffold onto a Medpor plate thinking that this might elevate it more, and position it more robustly to the arm. But this wasn’t the case and this solution was abandoned after being tested during surgery. Now, implanting a custom made silastic ridge along the helical rim would certainly increase helical definition but also would make room for later replacement of that ridge with cartilage grown from my own tissues. The helix would need to be lifted enabling the formation of a conch and make the ear a more 3D structure. The ear lobe will most likely be formed by creating a cutaneous ‘bag’ that will be filled with adipoderived stem cells and mature adipocytes. In other words the ear lobe would be partly grown using my own adult stem cells. Such a procedure is not legal in the USA, so it will be done in Europe. It’s still somewhat experimental with no guarantee that the stem cells will grow evenly and smoothly – but it does provide the opportunity of sculpturally growing more parts of the ear- and possibly resulting in a cauliflower ear!
During the second procedure a miniature microphone was positioned inside the ear. At the end of the surgery, the inserted microphone was tested successfully. Even supported with a partial plaster cast, the arm fully wrapped and the surgeon speaking with his face mask on, the voice was clearly heard and wirelessly transmitted. Unfortunately it had to be removed. The infection caused by the implanted microphone several weeks later proved to serious and heroic efforts were undertaken to save the scaffold, after the microphone was surgically extracted.
The artist : Stelarc
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Genre : Photo
Difficult to be more in the subject, more effective in questioning. Can human do absolutely what he wants with his body? Transform it at will? Marri it to the inert? Maybe? Does he want such changes? The example of STELARC suggests so.
Difficile de faire davantage dans le sujet, plus efficace dans le questionnement. L’humain peut-il faire absolument ce qu’il veut de son corps ? Le transformer à loisir ? Le marier à l’inerte ? Peut-être ? Peut-il vouloir de telles transformations ? L’exemple de STELARC semble indiquer que oui.
My low score is because I find this really redundant. Who cares about an ear on an arm. I think Stelarc is an amazing artist and we should include his “HEAD” work, not an ear on the arm. I realize that the ear on the arm is well known in bioarts, but I still think we can do better than use this piece. I dont’ see it as transhumanist.
Markos, you ask good questions. But we already know we can cut, scrape, tatoo, move pieces of our bodies – i.e., plastic surgery, cosmetic surgery, gender reassignment, et., wigs, etc, et al. What purpose does the ear have though? It cannot hear. Again, I prefer Stelarc’s “HEAD”. Here is where Stelarc and I were part of a recent exhibition in Portugal, where I was a “cognitive walk” and Stelarc showed his ear http://www.inside.com.pt/ I like this portrayl of his ear.
Natasha, do you want to say the “Prosthetic Head”, or the “Walking Head” by Stelarc, or other work I don’t know?
If you’re thinking of some specific piece, maybe can we ask him directly to give us the authorization to show it on our exhibition’s site.