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	<title>transhumanism.gr &#124; DEVENIR HUMAIN ? - The art of Human Enhancement</title>
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		<title>Ma&gt;Hadeva</title>
		<link>http://www.transhumanism.gr/new/?p=391</link>
		<comments>http://www.transhumanism.gr/new/?p=391#comments</comments>
		<pubDate>Wed, 10 Mar 2010 15:02:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Goals , hopes and ideals of h+ thought]]></category>
		<category><![CDATA[MJSL2050]]></category>
		<category><![CDATA[C+ (4 votes)]]></category>

		<guid isPermaLink="false">http://www.transhumanism.gr/new/?p=391</guid>
		<description><![CDATA[Genre   : Computer enhanced collage
Support : N.A.
Subjects : 2.) Goals, hopes and  ideals of h+ thought
2.1.) The enhancement
NBIC Convergence, Shiva/Hinduism, God of transformation or destruction?
]]></description>
			<content:encoded><![CDATA[<p><a href="http://transhumanism.gr/files/Mahadeva.JPG" rel="lightbox[391]"><img class="alignleft" src="http://transhumanism.gr/files/Mahadeva.JPG" alt="" width="137" height="94" /></a><strong>Genre   :</strong> Computer enhanced collage<br />
<strong>Support :</strong> N.A.<br />
<strong>Subjects : </strong>2.) Goals, hopes and  ideals of h+ thought</p>
<p style="text-align: center;">2.1.) The enhancement</p>
<p>NBIC Convergence, Shiva/Hinduism, God of transformation or destruction?</p>
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			<wfw:commentRss>http://www.transhumanism.gr/new/?feed=rss2&amp;p=391</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<item>
		<title>H++</title>
		<link>http://www.transhumanism.gr/new/?p=207</link>
		<comments>http://www.transhumanism.gr/new/?p=207#comments</comments>
		<pubDate>Sun, 28 Feb 2010 13:06:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Davis Adam James]]></category>
		<category><![CDATA[Goals , hopes and ideals of h+ thought]]></category>
		<category><![CDATA[C+ (6 votes)]]></category>

		<guid isPermaLink="false">http://www.transhumanism.gr/new/?p=207</guid>
		<description><![CDATA[Genre : digital painting
Supports : digital
Subjects : 2.) Goals, hopes and ideals of h+ thought
2.1.) The enhancement
The blissful embryo is it&#8217;s own uterus, it&#8217;s own cervix&#8230;to give birth to itself.
The concept of a postposthuman willfully initiating it&#8217;s own existence and infinite free will out of &#8220;nothing&#8221;.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://transhumanism.gr/files/H++.jpg" rel="lightbox[207]"><img class="alignleft" src="http://transhumanism.gr/files/H++.jpg" alt="" width="102" height="76" /><strong>Genre :</strong> digital painting<br />
<strong>Supports :</strong> digital<br />
<strong>Subjects : </strong>2.) Goals, hopes and ideals of h+ thought</a></p>
<p style="text-align: center;"><a href="http://transhumanism.gr/files/H++.jpg" rel="lightbox[207]">2.1.) The enhancement</a></p>
<p style="text-align: left;"><a href="http://transhumanism.gr/files/H++.jpg" rel="lightbox[207]">The blissful embryo is it&#8217;s own uterus, it&#8217;s own cervix&#8230;to give birth to itself.</a></p>
<p style="text-align: left;"><a href="http://transhumanism.gr/files/H++.jpg" rel="lightbox[207]">The concept of a postposthuman willfully initiating it&#8217;s own existence and infinite free will out of &#8220;nothing&#8221;.</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.transhumanism.gr/new/?feed=rss2&amp;p=207</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<item>
		<title>Ma&gt;Hadeva  (painting)</title>
		<link>http://www.transhumanism.gr/new/?p=757</link>
		<comments>http://www.transhumanism.gr/new/?p=757#comments</comments>
		<pubDate>Fri, 19 Feb 2010 16:25:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Goals , hopes and ideals of h+ thought]]></category>
		<category><![CDATA[MJSL2050]]></category>

		<guid isPermaLink="false">http://www.transhumanism.gr/new/?p=757</guid>
		<description><![CDATA[Genre : Painting
Supports : Oil on canvas
Subjects : 2.) Goals, hopes and  ideals of h+ thought
2.1.) The enhancement
(NBIC Convergence, Shiva/Hinduism, God of transformation or  destruction?)
This artwork &#8220;ma&#62;hadeva&#8221; by &#8220;MJSL2050&#8243; (oil on canvas) depicts a futuristic variation of the Hindu-God Shiva, also known as &#8220;Mahadeva&#8221; &#8211; the transformer of the universe (in some interpretations [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://transhumanism.gr/files/4873607.jpg" rel="lightbox[757]"><img class="alignleft" src="http://transhumanism.gr/files/4873607.jpg" alt="" width="152" height="124" /></a><strong>Genre :</strong> Painting<br />
<strong>Supports : </strong>Oil on canvas<br />
<strong>Subjects : </strong>2.) Goals, hopes and  ideals of h+ thought</p>
<p style="text-align: center;">2.1.) The enhancement</p>
<p>(NBIC Convergence, Shiva/Hinduism, God of transformation or  destruction?)</p>
<p>This artwork &#8220;ma&gt;hadeva&#8221; by &#8220;MJSL2050&#8243; (oil on canvas) depicts a futuristic variation of the Hindu-God Shiva, also known as &#8220;Mahadeva&#8221; &#8211; the transformer of the universe (in some interpretations also the destoyer , whereas there would be no change without the destruction of the old) &#8211; in the &#8220;Nataraya&#8221; form.</p>
<p><span id="more-757"></span>The drum (a symbol of creation) and the fire Shiva holds  in two of his arms in the classic depiction are replaced by a fullerene and brain and the arms in this picture are prosthetic. With his third and forth arm he holds a DNA strand. His flying hair is replaced by the symbol of the world wide web. Herewith the attributes for the NBIC Convergence are complete. Due to the dual interpretation of Shiva as transformer, destroyer of evil &#8211; and according to some interpretations even of death &#8211; or destroyer of the universe, it leaves the question open if converging technologies would lead us a flourishing and positive &#8220;(post?)human&#8221; future (the positive transformer) or cause our destruction.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.transhumanism.gr/new/?feed=rss2&amp;p=757</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Hybrid Sphinx</title>
		<link>http://www.transhumanism.gr/new/?p=752</link>
		<comments>http://www.transhumanism.gr/new/?p=752#comments</comments>
		<pubDate>Fri, 19 Feb 2010 14:27:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Melanitis Yiannis]]></category>
		<category><![CDATA[Other Goals and Examples of experimental enhancement]]></category>

		<guid isPermaLink="false">http://www.transhumanism.gr/new/?p=752</guid>
		<description><![CDATA[Genre : theatrical performance
Supports : video of theatrical performance ; actress ; makeup
video-projection 3 x 4 m, 2,2min, acting by A. Laure Obertson
presented for Zeugma exhibition, Rethymnon, Crete, October 2006
Subjects : 3.) Other Goals  and Examples of experimental enhancement
3.1.) The right to free personal evolution
man is  the measure of everything /this leads me to [...]]]></description>
			<content:encoded><![CDATA[<p><strong><img class="alignleft" src="http://transhumanism.gr/files/mellanitis.png" alt="" width="144" height="116" /></strong><strong>Genre :</strong> theatrical performance</p>
<p><strong>Supports :</strong> video of theatrical performance ; actress ; makeup</p>
<p>video-projection 3 x 4 m, 2,2min, acting by A. Laure Obertson<br />
presented for Zeugma exhibition, Rethymnon, Crete, October 2006</p>
<p><strong>Subjects :</strong> 3.) Other Goals  and Examples of experimental enhancement</p>
<p style="text-align: center;">3.1.) The right to free personal evolution</p>
<p><span style="font-size: x-small;">man is  the measure of everything /this leads me to a notion of an endless riddle about my own fate /</span></p>
<p><span style="font-size: x-small;">My face,  my legs&#8230;how do I look like? </span></p>
<p><span style="font-size: x-small;">a sphinx? a woman? an animal? a mutant? My definition of man is not a riddle. It comes out of my dispair about  language&#8230;</span></p>
<p><span style="font-size: x-small;">so many  thoughts coming out now / language is my gratest problem / some days seem to pass rather slow now&#8230; </span></p>
<p style="text-align: center;">
]]></content:encoded>
			<wfw:commentRss>http://www.transhumanism.gr/new/?feed=rss2&amp;p=752</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Nanorobots replacing neurons video</title>
		<link>http://www.transhumanism.gr/new/?p=508</link>
		<comments>http://www.transhumanism.gr/new/?p=508#comments</comments>
		<pubDate>Sat, 13 Feb 2010 10:08:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[A.I. / Robotics / nanomachines]]></category>
		<category><![CDATA[CG4TV (Studio)]]></category>
		<category><![CDATA[Technological Convergence]]></category>
		<category><![CDATA[B+ (3 votes)]]></category>

		<guid isPermaLink="false">http://www.transhumanism.gr/new/?p=508</guid>
		<description><![CDATA[Genre : Video
Support : Digital video
Subjects : 1.) Technological Convergence
1.3.) A.I. / Robotics / nanomachines
]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft" src="http://transhumanism.gr/files/Picture.png" alt="" width="150" height="84" /><strong>Genre :</strong> Video<br />
<strong>Support :</strong> Digital video<br />
<strong>Subjects :</strong> 1.) Technological Convergence</p>
<p style="text-align: center;">1.3.) A.I. / Robotics / nanomachines</p>
]]></content:encoded>
			<wfw:commentRss>http://www.transhumanism.gr/new/?feed=rss2&amp;p=508</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>hunt for high-tech</title>
		<link>http://www.transhumanism.gr/new/?p=499</link>
		<comments>http://www.transhumanism.gr/new/?p=499#comments</comments>
		<pubDate>Fri, 12 Feb 2010 23:43:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Hess Bart]]></category>
		<category><![CDATA[Hybridization living / inert]]></category>
		<category><![CDATA[Technological Convergence]]></category>
		<category><![CDATA[A- (4 votes)]]></category>

		<guid isPermaLink="false">http://www.transhumanism.gr/new/?p=499</guid>
		<description><![CDATA[
Genre : Video
Supports : Fake Furs, human body, shoe …
Subjects : 1.) Technological Convergence
1.2.)  Hybridization living / inert
Fur Sample:
With a Hunt for Hightech Bart Hess made a collection of fake fur that touches on elements of fetishism, human instinct and new animal archetypes. With that collection he did not try to mimic real animal [...]]]></description>
			<content:encoded><![CDATA[<p><br />
<em></em></p>
<p><strong>Genre :</strong> Video<br />
<strong>Supports :</strong> Fake Furs, human body, shoe …<br />
<strong>Subjects :</strong> 1.) Technological Convergence</p>
<p style="text-align: center;">1.2.)  Hybridization living / inert</p>
<p><em>Fur Sample:<br />
</em>With a Hunt for Hightech Bart Hess made a collection of fake fur that touches on elements of fetishism, human instinct and new animal archetypes. With that collection he did not try to mimic real animal kingdoms but create a fantasy world of his own. The way this started was through the process of imagining fantasy animals; animals that could be genetically manipulated, part robot, part organic, how they would move in their environment and what they felt like to touch.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.transhumanism.gr/new/?feed=rss2&amp;p=499</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<item>
		<title>Natural History of the Enigma</title>
		<link>http://www.transhumanism.gr/new/?p=495</link>
		<comments>http://www.transhumanism.gr/new/?p=495#comments</comments>
		<pubDate>Fri, 12 Feb 2010 22:58:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[GMO]]></category>
		<category><![CDATA[Kac Edouardo]]></category>
		<category><![CDATA[A- (6 votes)]]></category>

		<guid isPermaLink="false">http://www.transhumanism.gr/new/?p=495</guid>
		<description><![CDATA[Genre : BioArt
Support : transgenic petunia
Subjects : 1.) Technological Convergence
1.1.) GMO
The central work in the &#8220;Natural History of the Enigma&#8221; series is a  plantimal, a new life form Kac created and that he calls &#8220;Edunia&#8221;, a  genetically-engineered flower that is a hybrid of Kac and Petunia. The  Edunia expresses Kac&#8217;s DNA exclusively [...]]]></description>
			<content:encoded><![CDATA[<p><strong><a href="http://www.transhumanism.gr/new/slider8/images/kac.nat.hist.enigma.water.jpg" rel="lightbox[495]"><img class="alignleft" src="http://www.transhumanism.gr/new/slider8/images/kac.nat.hist.enigma.water.jpg" alt="" width="91" height="137" /></a>Genre :</strong> BioArt<br />
<strong>Support : </strong>transgenic petunia<br />
<strong>Subjects : </strong>1.) Technological Convergence</p>
<p style="text-align: center;">1.1.) GMO</p>
<p style="text-align: left;">The central work in the &#8220;Natural History of the Enigma&#8221; series is a  plantimal, a new life form Kac created and that he calls &#8220;Edunia&#8221;, a  genetically-engineered flower that is a hybrid of Kac and Petunia. The  Edunia expresses Kac&#8217;s DNA exclusively the red veins of the flower. The  gene Kac selected is responsible for the identification of foreign  bodies. In this work, it is precisely that which identifies and rejects  the other that the artist integrates into the other, thus creating a new  kind of self that is partially flower and partially human. Developed  between 2003 and 2008, and first exhibited from April 17 to June 21,  2009 at the Weisman Art Museum, in Minneapolis, &#8220;Natural History of the  Enigma&#8221; also encompasses a large-scale public sculpture, a print suite,  photographs, and other works.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.transhumanism.gr/new/?feed=rss2&amp;p=495</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>EAR ON ARM</title>
		<link>http://www.transhumanism.gr/new/?p=486</link>
		<comments>http://www.transhumanism.gr/new/?p=486#comments</comments>
		<pubDate>Fri, 12 Feb 2010 16:02:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Hybridization living / inert]]></category>
		<category><![CDATA[Stelarc]]></category>
		<category><![CDATA[Technological Convergence]]></category>
		<category><![CDATA[B+ (4 votes)]]></category>

		<guid isPermaLink="false">http://www.transhumanism.gr/new/?p=486</guid>
		<description><![CDATA[Genre : Ingineering Internet Organ
Supports : Body of the artist ; Medpor implant (porous, biocompatible polyethylene  material) ; miniature microphone with wireless connection to the  Internet
Subjects : 1.) Technological Convergence
1.2.)  Hybridization living / inert
I have always been intrigued about engineering a soft prosthesis using my own skin, as a permanent modification of [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://transhumanism.gr/files/ear6.jpg" rel="lightbox[486]"><img class="alignleft" src="http://transhumanism.gr/files/ear6.jpg" alt="" width="114" height="115" /><strong>Genre :</strong> Ingineering Internet Organ<br />
<strong>Supports :</strong> Body of the artist ; Medpor implant (porous, biocompatible polyethylene  material) ; miniature microphone with wireless connection to the  Internet<br />
<strong>Subjects :</strong> 1.) Technological Convergence</p>
<p style="text-align: center;">1.2.)  Hybridization living / inert</p>
<p>I have always been intrigued about engineering a soft prosthesis using my own skin, as a permanent modification of the body architecture. The assumption being that if the body was altered it might mean adjusting its awareness. Engineering an alternate anatomical architecture, one that also performs telematically. Certainly what becomes important now is not merely the body&#8217;s identity, but its connectivity- not its mobility or location, but its interface. In these projects and performances, a prosthesis is not seen as a sign of lack but rather as a symptom of excess.<span id="more-486"></span> As technology proliferates and microminiaturizes it becomes biocompatible in both scale and substance and is incorporated as a component of the body. These prosthetic attachments and implants are not simply replacements for a part of the body that has been traumatized or has been amputated. These are prosthetic objects that augment the body&#8217;s architecture, engineering extended operational systems of bodies and bits of bodies, spatially separated but electronically connected.</p>
<p>Having constructed a Third Hand (actuated by EMG signals) and a Virtual Arm (driven by sensor gloves), there was a desire to engineer an additional ear (that would be speak to the person who came close to it). The project over the last 12 years has unfolded in several ways. The EXTRA EAR was first imaged as an ear on the side of the head. THE 1/4 SCALE EAR involved growing small replicas of my ear using living cells. And recently, THE EAR ON ARM which began the surgical construction of a full-sized ear on my forearm, one that would transmit the sounds it hears.</p>
<p>The EAR ON ARM has required 2 surgeries thus far. An extra ear is presently being constructed on my forearm: A left ear on a left arm. An ear that not only hears but also transmits. A facial feature has been replicated, relocated and will now be rewired for alternate capabilities. Excess skin was created with an implanted skin expander in the forearm. By injecting saline solution into a subcutaneous port, the kidney shaped silicon implant stretched the skin, forming a pocket of excess skin that could be used in surgically constructing the ear. The body is a living system which isn&#8217;t easy to surgically sculpt. And recovery time is needed after the surgical procedures. There were several serious problems that occurred: a necrosis during the skin expansion process necessitated excising it and rotating the position of the ear around the arm. Ironically, this proved to be the original site that the 3D model and animation was visualized. Anyway, the inner forearm was anatomically a good site for the ear construction. The skin is thin and smooth there, and ergonomically locating it on the inner forearm minimizes the inadvertent knocking or scraping of the ear. A second surgery inserted a Medpor scaffold and the skin being suctioned over it. The Medpor implant is a porous, biocompatible polyethylene material, with pore sizes ranging from 100-250 micrometers. This can be shaped into several parts and sutured together to form the ear shape. Because it has a pore structure that is interconnected and omnidirectional it encourages fibrovascular ingrowth, becoming integrated with my arm at the inserted site, not allowing any shifting of the scaffold. We had originally considered mounting the ear scaffold onto a Medpor plate thinking that this might elevate it more, and position it more robustly to the arm. But this wasn&#8217;t the case and this solution was abandoned after being tested during surgery. Now, implanting a custom made silastic ridge along the helical rim would certainly increase helical definition but also would make room for later replacement of that ridge with cartilage grown from my own tissues. The helix would need to be lifted enabling the formation of a conch and make the ear a more 3D structure. The ear lobe will most likely be formed by creating a cutaneous &#8216;bag&#8217; that will be filled with adipoderived stem cells and mature adipocytes. In other words the ear lobe would be partly grown using my own adult stem cells. Such a procedure is not legal in the USA, so it will be done in Europe. It&#8217;s still somewhat experimental with no guarantee that the stem cells will grow evenly and smoothly &#8211; but it does provide the opportunity of sculpturally growing more parts of the ear- and possibly resulting in a cauliflower ear!</p>
<p>During the second procedure a miniature microphone was positioned inside the ear. At the end of the surgery, the inserted microphone was tested successfully. Even supported with a partial plaster cast, the arm fully wrapped and the surgeon speaking with his face mask on, the voice was clearly heard and wirelessly transmitted. Unfortunately it had to be removed. The infection caused by the implanted microphone several weeks later proved to serious and heroic efforts were undertaken to save the scaffold, after the microphone was surgically extracted.</p>
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			<wfw:commentRss>http://www.transhumanism.gr/new/?feed=rss2&amp;p=486</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Cyborg Fantasy</title>
		<link>http://www.transhumanism.gr/new/?p=427</link>
		<comments>http://www.transhumanism.gr/new/?p=427#comments</comments>
		<pubDate>Sat, 23 Jan 2010 17:00:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Cyborgs]]></category>

		<guid isPermaLink="false">http://www.transhumanism.gr/new/?p=427</guid>
		<description><![CDATA[Genre : painting
Supports : ?
Subjects : Cyborgs, Robots
]]></description>
			<content:encoded><![CDATA[<p><a href="http://transhumanism.gr/files/Cyborg,_Fantasy.jpg" rel="lightbox[427]"><img class="alignleft" src="http://transhumanism.gr/files/Cyborg,_Fantasy.jpg" alt="" width="121" height="90" /></a>Genre : painting<br />
Supports : ?<br />
Subjects : Cyborgs, Robots</p>
]]></content:encoded>
			<wfw:commentRss>http://www.transhumanism.gr/new/?feed=rss2&amp;p=427</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>(Melted cyborg?)</title>
		<link>http://www.transhumanism.gr/new/?p=425</link>
		<comments>http://www.transhumanism.gr/new/?p=425#comments</comments>
		<pubDate>Sat, 23 Jan 2010 16:54:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Cyborgs]]></category>

		<guid isPermaLink="false">http://www.transhumanism.gr/new/?p=425</guid>
		<description><![CDATA[Genre : sculpture
Supports : ?
Subjects : Cyborgs, Robots
]]></description>
			<content:encoded><![CDATA[<p><a href="http://transhumanism.gr/files/cyborg.jpg" rel="lightbox[425]"><img class="alignleft" src="http://transhumanism.gr/files/cyborg.jpg" alt="" width="109" height="100" /></a>Genre : sculpture<br />
Supports : ?<br />
Subjects : Cyborgs, Robots</p>
]]></content:encoded>
			<wfw:commentRss>http://www.transhumanism.gr/new/?feed=rss2&amp;p=425</wfw:commentRss>
		<slash:comments>0</slash:comments>
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